Summary
The film's title, but not much else, is similar to that of a 1 992 cult classic by Abel Ferrara; the rest is pure [Werner Herzog] - dark (both literally and figuratively), a bit surreal. Alligators and iguanas, either real or imaged, figure in the action. The tide's post-Katrina New Orleans is a city where the sun never shines; its blueblack tones (shot by Peter Zeitiinger, who also filmed Herzog's Gnzdy Man and Encounters at the End of 'the World) don't jibe with our stereotype of a jazzy, joyous Big Easy.
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Extract
Caged Heat
Caged heat
Nicolas Cage nasty as he wants to be in 'Bad Lieutenant'"Bad" doesn't even begin to describe the beh...See the full content of this document
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