Summary


Not Annuals. Led by Adam Baker and a supporting cast he's been recording with since high school at Enloe (in pop-punk band Timothy's Weekend and as Corgan-and-Yorke acolytes Sedona), Annuals are interested in making pop music by flooding the gates, filling unorthodox structures with unexpected sounds and building huge dynamic shifts by stacking dozens of barely congruous textures together. It can be involvingly powerful and promisingly smart, like a daytime dream of the Collective's sonic enthusiasm mingling with the Fire's elevating spires.

Despite its beauty, "Complete or Completing" is an early indication of Be He Me's central miscue. It starts simply enough with vocals, piano, swinging drums and traces of tremolo guitar, and its eventual climb into strings and a chanted chorus works. But a two-minute coda is wasted entirely on repetition. It's produced by the same kind of extraneous, redundant compulsion that-in other spots-finds Annuals putting too much into a package that would do well to meet restraint "Father"-a gorgeous piano ballad-loses some of its efficacy with bits of neophyte electronic manipulation. Elsewhere, auxiliary drum tracks and an over-reliance on keyboards to saturate arrangements hinders many of Be He Me's grand motions, simply turning loud into louder. Annuals struggle to leave well enough alone.

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Be He Me

ANNUALS

BE HE ME

(Ace Fu Records)

The timing is right for a band like Raleigh six-piece Annuals: Predecessors The Arcade Fire made indie rock safe for anthemic melodrama with 2004's Funeral, and Animal Collective ga...

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