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The Art Bulletin
COPYRIGHT College Art Association
COPYRIGHT GALE, Cengage Learning. All rights reserved
from December 1994
Last Number: December 2008
ISSN 0004-3079
All the contents
Albrecht Altdorfer and the Origins of Landscape.
Dawn of the Golden Age: Northern Netherlandish Art, 1580-1620.
Engraved calligraphy in China: recension and reception.
Etienne-Jules Marey: A Passion for the Trace.
Exodus and Easter vigil in the Ashburnham Pentateuch.
Likeness of no one: (re)presenting the first emperor's army.
Tomb sculptures form the Qin dynasty
Metaphorical painting: Michelangelo, Dante, and the 'Last Judgment.'
Outcasts: Signs of Otherness in Northern European Art of the Late Middle Ages.
Re-dressing classical statuary, the eighteenth-century 'hand-in-waistcoat' portrait.
Redating the Arca Santa of Oviedo.
Refiguring the Real: Picture and Modernity in Word and Image, 1400-1700.
Ricerca del Rinascimento, Principi, citta, architetti.
Selling, seduction, and soliciting the eye: Manet's 'Bar at the Folies-Bergere.'
The Altarpiece in Renaissance Venice.
The problematics of collecting and display, part 1.
Museums have begun to rethink the way they acquire and display art objects and artifacts from other cultures since this displacement removes the objects from their original and meaningful contexts. For example, the works of Native Americans were collected in the early colonial periods with little regard for the religious value of these objects if only to satisfy the white man's curiosity. Some museums have also initiated efforts to return these objects and learn from the manner in which they ...